Haim – If I Could Change Your Mind
I seriously considered doing one of these posts with all 5 songs from this band. Haim’s (pronounced like ‘time’) debut album has gotten near constant rotation since I found it a few months ago, and it’s because these 3 sisters spit out perfect harmonies like they were the genetic clones of Brian Wilson and Fleetwood Mac. Constant references to bands of the 60s and the 70s are inevitable with this group, and they certainly don’t seem to want to shy away from those comparisons with their fashion and videos. But it doesn’t matter whose sound they’re aping when they’re doing it so damn well. Honestly, this is probably my 5th or 6th favorite song on the album and it’s still worthy of repeat listens. The album isn’t dead, these ladies proved that.
Spoon – Inside Out
In what is turning out to be one of the best years for albums in nearly a decade, Spoon has once again put out a collection that has a lock on top 10 status. Is there a band whose output is more consistent than these guys? It’s hard to pick a favorite song off of They Want My Soul, but it’s hard to argue with “Inside Out” as a top contender. It’s the perfect mash of Spoon’s best traits, with its persistent, insistent beat, airy instrumentation and Britt’s ethereal voice floating over all of it. Watch out for the day this band puts out a bad album: That’s the apocalypse.
Warpaint – Billie Holiday
This band has been working the cool indie circuit for a few years now, but I only first heard them about a month ago. It was this lovely, eerie track (which reworks the classic R&B torch song, “My Guy”) that caught my attention when it played on some random blog I stumbled across. Hey, apparently those automatic playlists aren’t always the worst. I appreciate a song that hides emotional vulnerability under a cool veneer, and that’s exactly what these women get right here. Give it a listen, it’ll creep up on you.
Ryan Adams – Kim
Ryan can rock. He really can. But let’s face it, most of us fell in love with him because he does sad sack better than anyone. So here’s another moper for the collection, off of his frequently excellent self-titled album released this year. Ryan’s probably got enough songs with women’s names for titles to surpass most other artists’ entire catalogs. Well, “Kim” is yet another femme fatale, and if the emotion in the way he sings, “Ooh, Kim,” is any indication, this one is particularly fatal. Good, we like our boy a little messed up (even while we wish him and Mandy all the best).
Philip Selway – Coming Up For Air
It’s rare that the solo album from a member of a great band is worth a damn. Even rarer when we’re not talking about the lead singer or even the multi-instrumentalist genius, but the drummer. Yet Philip Selway of Radiohead has managed to produce a moody bit of beauty with his second album, Weatherhouse. The opening track, “Coming Up For Air” is the clear standout (though it’s not alone), showcasing Portishead-esque atmospherics in support of haunting, somber lyrics. I guess they aren’t lying when they say Radiohead music is a full-band affair. (For the record, Thom Yorke’s solo album is also excellent, but he doesn’t allow his music on sharing services so I couldn’t feature any of his songs.)