I’ve called many places my home little darlin, but I only come from one

On the wall next to the pool table in the basement, there was a plate cover that always hung loose. It had been missing the bottom screw for as long as I had memory and, when slid back, would pivot up to reveal an empty black hole behind it, an opening for a non-existent outlet. In the eyes of a child, it wasn’t just a gap in the drywall, it was a secret cave, a limitless expanse; a hiding place.

I used to fold up a dollar bill, even a fiver on the rare occasion I accumulated such a bountiful harvest, and tuck it into the crevice between the wall and a pair of loose wires. My hope was that I would forget about the stash and then some day, a few months later, maybe years, I’d come across it again, and it would be like finding buried treasure. The only problem was, the moment I slid the cash behind that plate, I thought of nothing else. The bill never remained back there long.

As I grew older, the game – and I suppose that’s what it was, a game I played with myself that I lost every time – took on a different objective. Now, instead of hiding the money so that I could stumble upon it at some unknown date, I hoped for enough willpower to resist removing the money at all so that, in some unknown future after my family had left, a different kid from a different family, would find the treasure.

I can’t say when I was first struck by the realization that I would not always live in that house, that my family would not own it forever, but it must have been fairly young. Our home was perpetually in a state of flux. I never had visions of growing up to raise my own family there.

I wish I could say that the last time I stuck money behind the face plate, I left it, but I’m ninety-nine percent sure I did not. I was consistently cash strapped and there was a new Spider-man comic to buy every week. Still, it’s fun to imagine some curious six-year-old playing around in that basement one afternoon and somehow managing to uncover my secret stash. It would be the greatest discovery of her young life.

Following the diaspora of my siblings and my parents’ divorce, my mother and I moved into a two-bedroom, loft apartment in the middle of Lawrence for my senior year of high school. Many different homes would follow. Over the ten years of my project, I lived in thirteen different apartments, some by myself, most with roommates, all of varying degrees of comfort and disorder.

These homes have been, at times, shabby and, at others, luxurious. I’ve had isolated apartments, and I’ve lived in the heart of the city. I’ve gone from having two floors all to myself to sharing one bathroom with six people. Whatever the amenities, wherever I’ve ended up, like a hermit crab making use of a found shell, I’ve made it home in my own way.

Home Sweet Home

After three years in Brooklyn, I’ve yet to fully settle; I still exist in the vapor. No art on my walls, cardboard boxes serving simultaneously as storage and tables. I live like someone with one foot out the door because that’s all I know. In just over a month, I’ll move again.

I tried. When I settled into my first Brooklyn apartment, I purchased a desk and a chair, and a bookshelf. I picked up some cheap pictures from a street vendor and even bought a wall clock for some inexplicable reason. I made an effort to spread out, to accumulate, to slip into the nooks and crannies and feel attached. It didn’t take.

The clock’s batteries have been dead for two months.

Home is a bed

I have this kind of strange habit when I’m traveling, I’ve had it for as long as I can remember. As a child at camp and even now on a trip, I’ll refer to whatever temporary facility I’m staying in as “home.” If we’re out and I’ve forgotten something at the hotel, I’ll say, “I’ll just head home real quick and grab it.” It’s a quirk that occasionally earns an eyebrow raise, but I’ve done it all my life and I don’t think it’s so strange. Home is where I lay my head down to sleep.

I love having my own space, I crave it, but I’m not too picky about what the space should look like. I just need to be able to find my peace.

Living with other people can complicate that, not everybody was meant to be a roommate; or, at least, not my roommate.  Sometimes I’ve made a home in an apartment despite living with people with whom I had nothing in common. Other times, it’s the people that have made an apartment home.

Home is a base, a starting point, a fixture to which I latch a tether, however temporarily. Like a climber reaching for the next anchor point, I’m always searching for somewhere new to fasten a hold.

Yet, home also remains, stubbornly, Lawrence, Kansas, and a blue, three-story, behemoth of a house ever sliding incrementally down a steep hill, now the residence of a family I’ve never met.

Lawrence: home to the University of Kansas and its rabid basketball fan base; home to the best hillside views in the entire state (maybe the only hillside views); home to artists, writers, and musicians; home to liberal reactionaries and a church on every other block; home (for a time) to William S. Burroughs, Erin Brockovich, and Langston Hughes; and the home of a family of seven, sort of okay.

View from Campus
Pictured: Setting of beloved TV movie, The Day After

The weekend before my next leap into the unknown, I’ll fly to Kansas to spend a few days with some of my family that now includes three nephews and a niece.

It used to be, when I’d return home for a short trip, I couldn’t walk downtown without running into a half dozen people I knew, just by chance. Now, when I go back, unless specific plans are made – and even then – I can go the whole visit without seeing anyone I know outside of my family. I’ll walk into an old haunt and anticipate hearing my name called only to be met by the disinterested stares of a whole new generation.

With each passing year, Lawrence, the small town in which I spent 22 years, transforms into something increasingly unfamiliar, even though in structure and physical layout, it remains persistently recognizable.

There was a time when my family name carried some cachet among (the less reputable) establishments in the town (in no part due to me), but those days have mostly passed. I suspect name dropping one of my siblings would only be met with confusion nowadays. As a college town, Lawrence is a constant churn of population turnover. You don’t have to leave a place for it to leave you.

Time will change our relationships with everyone and everywhere. I haven’t lived in Kansas in a very long time, and each visit reminds me of that fact. Yet, I haven’t broken the habit of saying, “I’m heading home” when I talk about returning to Kansas. I will never live there again (and I shake my head in dismay at almost every bit of state politics that makes national news), but it remains for always, my home.

My first home.

Home
My room looked out from the two windows in the upper right hand side.

I’ve done this silly thing over the years, before leaving some of my apartments: I’ll take one of my original 10 Cities/10 Years stickers and press it directly above the door frame on the inside of my closet. It’s unlikely anyone will ever find them, but who knows. Maybe some curious 26-year-old will be messing around in their room one afternoon and somehow manage to uncover my surreptitious memento.

It will be the stupidest discovery of her young life.

The Mary Jacket

Let me tell you a story about a jacket.

It’s not all my story, and in fact, it originates somewhere that I’ve never been: Portland, Oregon.

Before we get there, though, I need to back up to somewhere I’ve spent far too much time: my hometown.

Here I am trying to make my first escape.

We weren’t a happy family; perhaps not an unhappy one. We had our moments, to be sure, a series of explosions – laughter, anger, whichever broke us through. Before I’d even turned eight, we had already fractured once; a few years later, we’d do it all over again. Eventually, the whole damn thing fell apart. And we were fine.

The first fracture came when my oldest brother, Mike, abruptly left home when I was in second grade. The subsequent fracturing event came a few years later with the exit of my second oldest brother, Steve, who left home under acrimonious circumstances when I was maybe nine or ten. To be honest, the timeline of those early years has always been jumbled in my mind. The mixture of my sheltered youth and a familial tendency to talk around the issues has left me spending my adult life indolently piecing together family history, like someone absentmindedly scratching a bug bite.

I suppose it must seem strange that a writer would be this incurious about his own past, but the truth is, it isn’t my past. Everything happened around me; I was a background extra in my own life up until college, and even then, really only a featured player.

So, what I know of Steve’s exit: I was the last one to speak to him before he left the house that final time. There were five kids, so my parents had opted to get us a second landline phone just for us (just for them); it was even listed in the phone book as the separate Teens’ Line. That night, my parents had gone out and gave instructions that Steve was not to use the phone, he being on punishment for one infraction or another. Nothing new there.

I was watching TV in the living room when I heard the kids’ line ringing in the den. Since the phone was never for me, I instinctively ignored it until I remembered my parents’ instructions. I rushed to the den just in time to find Steve answering the phone.

“You’re not supposed to use the phone,” I dutifully bleated.

“I know!” Steve snapped back. “No one else was answering it!”

That was it. I skulked back to the living room, then, some minutes later, I heard  Steve leaving out the garage and that was the last I would see of him for years.

Kids Christmas
My siblings. Probably.

That could all be wrong. I don’t trust the details of my memory; I tend to conflate different events, sometimes years apart. It’s immaterial; this is how I remember it. The great irony – and power – of our past is that perception shapes memory, which then shapes perception. We’re all living a lie we told ourselves. This is mine.

My next memory of seeing Steve in person came many months later. He was standing on our porch, saying hello to my tearful mother who was welcoming him back home to Lawrence. He’d gotten heroin thin – emaciated, really – and was covered with piercings, a safety pin pincushion. 

I don’t remember if Steve was wearing the jacket, though I suspect not. This jacket, which came to represent all the mysteries and allure of my brother’s time away from home, was a plain brown, polyester gas station attendant’s jacket, an ugly thing made all the more unsightly by large rips and frayed edges. Like Steve’s eyebrows, the thing was pierced through with a phalanx of safety pins, some of them functional, most just for aesthetics. I thought it was the coolest thing I’d ever seen.

After leaving home, but before meeting up with Mike in Flagstaff, Arizona, Steve spent time in Portland, Oregon, living in a shithole (probably) and working in the kitchen of an Italian restaurant. Other than learning the basics of cooking from the restaurant’s chef, Steve’s main pastimes in Portland were poetry and drugs (I won’t pretend to know which ones; all of them?).

In Portland, where by law gas station attendants still pump your gas, Steve picked up the jacket. What really made this unassuming article of clothing pop, at least for me, was the one piece of personalization that my brother had attached: a yellow and orange fabric patch with the name “Mary” sewn in green letters over an orange heart. I had no idea who Mary was, but she was clearly perfect.

In fact, Mary was no one, but everyone. As Steve later explained, “Mary” was the stand-in name he used in his poetry when he was writing about a woman but didn’t want to use her real name. She was the all-encompassing focus of love and lust, hate and sorrow; she was all womankind.

So she came to represent to me.

My parents were permitting my brother to store some of his belongings at the family house, which is how I came to stumble across the Mary Jacket hanging up in a hallway closet. For a time, I would take it out just to put it on, and then slip it back on its hanger. As the months passed, though, and Steve made no indication that he intended to take it back, I began to wear the jacket out of the house, to my mother’s chagrin.

Steve didn’t mind me wearing it, but there was always an understanding that someday I’d return it to him. That never happened.

The jacket engulfed me. It must have been huge on Steve when he was at his thinnest, which is why I doubt he was actually wearing it that day he showed up on our porch. It didn’t matter, I loved it and wore it constantly. After losing a great deal of weight in a very short time as a teenager, I was slow to update my wardrobe so most of my clothes were baggy on me. The jacket fit my style (a term I use loosely).

People asked all the time who Mary was, or, sometimes with confusion regarding my long, feminine blond hair, if I was Mary. Some kids took to calling me Mary, presumably as an insult, but if it bothered me, it didn’t stop me from wearing the jacket every damn day.

Whatever reason Steve had for choosing Mary as his female catch-all, the name had an extra level of resonance for his youngest brother, a kid named Joseph who had been brought up in the Jesus in Wonderland orthodoxy of Evangelical Pentecostals. Everything was filtered through Bible stories and purported prophecy. Mary didn’t just represent some unknown love interest, she came to represent the unseen woman, the one that completed the equation: Joseph and Mary.

Perhaps I have a genetic predisposition to symbolism, or it’s just a product of my religious upbringing, but early on I developed an obsession with poetic symmetry in life, always looking for surreptitious indicators of deeper meaning or direction in the innocuous happenstance of life: a song playing on the radio with an oddly fitting lyric; the crash of thunder in a moment of doubt; a girl named Mary.

I wanted – needed – there to be signs of something grand ahead, because in the now, life was pretty miserable. Certainly, I was.

As high school ceded to college, I left much of my old life behind, including church friends and my faith, but the Mary Jacket stayed with me. From wear, the tears had grown into fluttering gashes with loose threads hanging from the edges that I routinely had to cut off. I’d repurposed some of the extra safety pins to hold the entire left side together, which otherwise flung open like a gaping mouth.

If the jacket had arrived in Kansas looking like a holdover from the 80s hardcore scene, I had managed to turn it into a homemade Halloween costume assembled by a disinterested stepmother. It had long ago ceased to be a jacket in any functional sense, more of a rag to throw over my shoulders like a cape. So be it, it was my cape.

When I packed up everything I owned for the move to Charlotte that would launch 10 Cities/10 Years, I stuffed the Mary Jacket in my boxes. Eventually, I gained enough sense to stop wearing the thing, but for sentimental purposes, the jacket remained with me for many moves. After a few years, realizing that sentiment wasn’t worth the extra money and effort it required to move every year, I unceremoniously discarded the jacket along with many other artifacts of a life I no longer lived.

Before I tossed the jacket –there was no hope of donating it, the thing was mostly safety pins by that point – I removed the Mary patch. That I still have.

Cropped
No words.

Symbolism

Writers love symbols. Fiction, in particular, is buoyed by their potential. Properly deployed, one symbol can say more than ten pages of exposition; even poor writing can be given the façade of depth with some hasty symbolism. Then there are the great writers, like Fitzgerald, whose symbolism could captivate so thoroughly, he redefined the prosaic truth of the image itself. A green light is never just a green light.

Even though I no longer believe in higher powers or spiritual intercession in the natural world, I’m still taken with the way coincidences can imbue day-to-day life with literary flair. From time to time, it’s fun to indulge a flight of fancy, to impose meaning on the meaningless. It’s utter rubbish, but what isn’t? A writer has to think in symbols.

Names will always hold deeper meaning, like how hearing a particular name brings a rush of memories about an ex or a friend I haven’t thought of in years. I’m always tickled by couples with famous name pairings or when someone’s moniker takes on an ironic double meaning. To this day, “Mary” is freighted with unrealistic meaning. It’s a connection to a past that’s mostly been forgotten or blurred into unreliable memory, and yet also a suggestion of a future that could have been, probably never will. I hear the name, it triggers visions of a specific type of life with a wife and a house, a family, a place; stability.

Before anyone thinks, “Awwww,” I haven’t lost anything, only come to understand myself better. Like that shredded gas attendant’s jacket, that existence wouldn’t fit me now. It’d only split and unravel. I held onto that vision of my future for a lot longer than I should have because I wanted so much for there to be a plan, a destination. Not anymore. I don’t need a prophecy to tell me about my future; I make my own.

Traveling has stripped me of much of my sentimentality. I’ve gotten much better at letting go of my relics. On the verge of another major move, my biggest yet, I’m examining my possessions with a plan to unload it all. Holding on to mementos from the past doesn’t actually prolong the past. Baggage is a burden, and a crutch. Minimalism is both a necessity and incredibly freeing.

Still, I like to imagine someone found that old jacket in the trash, took it home, and sewed it back together. Wouldn’t it be nice if all the things we abandoned came to have a second life with someone else? Well, the past is always being written and rewritten. May all we leave behind be remembered as fondly as a ripped polyester jacket.

One Hundred Days

One hundred days from now, if all goes as hoped, I will say my goodbyes to New York City, my home of three years, and board a flight to Spain.

There’s still so much unknown, so little figured out. A place to live, a means of income, even my exact day of arrival, it’s all still up in the air. If past moves are any indication, I’ll likely be working out the details up until the last minute. This is the circular motion by which I achieve momentum.

WjhMVAD - Imgur

I have no idea how long I’ll be gone. After living so long with a precise schedule and definitive goalposts, I’ll admit, it’s disorientating to have such a nebulous future ahead of me. It’s an altogether fresh challenge, to take a dive without knowing the depth of the water.

I am someone who likes structure. This might seem counterintuitive considering how tumultuous and unpredictable much of my life has been as a result of 10 Cities/10 Years. But that project, for all its winding roads and uncertainty, still provided me structure, a guide rail.

As I’ve said frequently, the project was created to push me out of my comfort zone. With my natural shyness, my social anxiety, pushing myself towards situations where I had to meet new people and acclimate to new social situations forced me to develop mechanisms for adaptation. Evolve or die, that sort of thing.

I remain fundamentally the same person as I was when I left Kansas: socially awkward, blithely misanthropic, and utterly devoid of charm. But when the situation requires it, I can muster enough energy to seem downright personable, and that’s what a decade of traveling has developed in me. That, and alcoholism.

(I do have a tendency of drawing out fellow misanthropes; we sense each other’s hatred, a kind of Hadar, if you will.)

If 10 Cities/10 Years was about pushing myself to face my social anxiety, then this next journey is about challenging my reliance on structure.

It’s the rare person who actually thrives on total uncertainty in their life, and I am not among their tribe. Even in new surroundings and in the midst of near constant disruption, I seek out patterns, familiar routines that can ground me. A little chaos can be exhilarating, to be sure, but living without any parameters, well, that’s frankly terrifying.

Kansas Welcomes You

I grew up in Kansas. If you mention that state name to almost anyone in the United States – hell, in the world – they’ll have one reaction: “You’re not in Kansas anymore.”

The Tin Man

Ask any random person to name five images they associate with Kansas, four of them will be Wizard of Oz related, and the fourth would either be a Bible or a basketball (in Lawrence, arguably the same thing).

At the core of the state’s association with flighty redheads and yippie dogs is perhaps the most feared singular image in all of nature, the tornado.

I’ve shook in California earthquakes, witnessed the immediate impact of a hurricane in New Orleans, and soldiered through my share of blizzards. Yet, whenever the subject gets broached among people from any region of the United States, they all agree: tornadoes are the scariest.

I was always confused when people who grew up in the paths of hurricanes claimed to be more afraid of tornadoes.

“You realize hurricanes are just massive tornadoes, right?” I’d counter.

“Yeah, but you don’t know where a tornado’s going to be.”

And that’s the crux of it. Although most natural disasters will cause far more death and destruction than the average tornado, the unpredictability of a twister, the inescapable chaos that it represents, is far more potent as a symbol of terror. We watch forecasts for hurricanes and blizzards, we know where fault lines exist. But tornadoes, well those sons of bitches just come and go as they please.

I get asked from time to time, usually with a faint glimmer of horror in the inquisitor’s eyes, “Have you ever seen a tornado in person?”

Yes, yes, I have. More than a couple of times. Although, in truth, most of the time when a tornado warning blared from the sirens, I was nowhere near it and only ever saw the resultant damage a day later if we intentionally drove by to view it. A tree was probably dislodged, a fence knocked down. If it were a particularly bad storm, we might see a branch thrust through the window of some stranger’s house. For most people, life went on as normal.

I’ve never lost anything or anyone to a tornado, which probably explains why I don’t fear them and, in fact, why I love cyclone weather. First, the sky turns a gnarly shade of green or purple. As the atmosphere begins to tingle, the air gets warmer, but steady cool breezes whip through neighborhoods, the narrow passageways between houses focusing the wind like rushing rivers. A mix of rain and hail usually – but not always – pours down as the sky turns black as midnight, the clouds swirling in acrobatic maneuvers fit for the Olympics.

Then, somewhere, maybe near, maybe far, something fearsome touches down, twirling wisps of air sharper than any knife. It’ll cut through your car or home, chop down a hundred-year old tree or fling a piece of flimsy paper into stone. Few things in life actually warrant being called “awesome.” This is one of them.

Pure, unbridled chaos is a thing of beauty, stunningly so. The way you felt when your sixth grade crush would talk to you, that’s approximately the same sensation as the shaken nerves that burble in your gut when you and your college roommates stand atop Mount Oread watching a tornado slide up 15th Avenue and raze an apartment complex you’d been at only the previous weekend.

Pray all you want, it’s never stopped a tornado. Is it any wonder it’s called Mother Nature? She’s in control.

Stormy Weather Pana

In a little over three months, I will begin the next major journey of my life, aimless, no control. No project, no guard rails, no final destination in mind (except, you know, for the big one they made all those documentaries about). Circumstances and chance will determine where I end up and how long I’ll be there.

What comes next will be the greatest challenge of my life. Major changes should always strain us. If I ever reach a place in my life at which I no longer feel any anxiety in my gut, I know I’ve grown too comfortable, too complacent. There could come a day when I’m ready to feel that sort of calm, but I’m not there yet. I’m still chasing storms.

Have you ever seen a tornado in real life? Keep reading, you will.

Wondering what 10 Cities/10 Years is all about? Read the full story.

A photo of Brooklyn Bridge in black and white

The Art of Jumping

X

[Names are whatever I want them to be]

I spent much of my youth with a group of boys, which explains why I was such a surly kid. Following church one Sunday afternoon, where the message had been “Good Ideas vs. God Ideas” (your wisdom or God’s wisdom), a group of us gathered at a buddy’s place to hang out and be teenage boys.

From a tall tree in that friend’s backyard, a zip line had been attached that shot across the yard to a patch of grass a dozen or so yards off. This bright summer day, the boys were taking turns riding, but there was a hold out: Dylan. No matter how much the other boys badgered him, Dylan wouldn’t ride the line.

“I don’t think it’s safe,” he protested.

“Well, maybe that’s a good idea,” a kid named Chet intoned, “but is it a God idea?”

It says something about Christian youth that, even as a joke, that line still worked: Dylan climbed the tree. I surmise the jumping off spot for the zip line must have been roughly three stories, though details are fuzzy: let’s say at least 25 feet. By the point Dylan was stepping up to the ledge, at least four or five other boys had already ridden the line.

Effectively goaded, Dylan stepped out of the tree, putting all of his faith in the strength of the line, and immediately dropped. The line snapped. He hit the ground like a rock.

There is an art to jumping out of a tree, and Dylan apparently had forgotten it: Instead of bending his legs and rolling with the momentum, he locked his knees and came straight down on his feet. Following that fall, Dylan spent the next few weeks in a wheelchair, though nothing was broken, only bruised.

When Dylan hit the ground, he went fetal, writhing in pain. The rest of us were frozen in a mixture of shock and awe until Chet broke the silence with the soundest theological statement I’ve ever heard:

“Maybe it was a God idea.”

Meet Cute

I met Sophie the way all New Yorkers meet: outside a Williamsburg coffee shop after attending an independent movie premiere. This short film, about the Manson Family, had been created by a friend and his theater troupe. At 30 minutes, it was an artfully shot re-enactment of rape and murder, a feel good romp if ever there was one.

Sophie, not part of the troupe but involved in theater, had a role in the film. The post-screening party was being hosted at a nearby Starbucks that also served alcohol. When the only two people I knew were otherwise engaged, I wound up outside conversing with a group that included Sophie and another woman, Amy.

With the party unwinding, Sophie, Amy, and I, joined by some guy named Stan, continued our night at Rosemary’s around the corner. As tends to happen with the male of the species, once in a booth, Stan brashly hijacked the conversation and soon the ladies and I were communicating telepathically to make our escape.

After telling Stan we were calling it a night, the three of us regrouped outside and Sophie suggested that we prolong the night back at her Greenpoint apartment. Though late, her place was just past McCarren Park, so we hoofed it. Along the way, spurred by the admission of my Kansas youth, we turned to the topic of climbing trees, as you do.

“Everyone climbs trees in Kansas,” I probably said, because this is factually accurate.

“I never have,” Sophie admitted. Since alcohol was involved, her confession became a challenge.

The London Planetrees lining the park weren’t as sturdy as the cottonwoods I had grown up with, but they’d do. Showing surprising dexterity, I scurried up one and straddled the lowest hanging limb. Proud that I could still get up a tree in my 30s, I jumped out with ease, a height of maybe eight feet. It was Sophie’s turn, now.

We selected a suitable option and with a little assistance from Amy and I, Sophie scampered up the tree’s white tree trunk. As she settled into the nook between its three branching limbs, her expression was a mixture of relief and mild terror.

Reveling in the glorious absurdity of our endeavor, I neglected to mention the most important part of climbing a tree: the dismount. Leaving Sophie in her perch, Amy and I chatted a few feet away when, in our peripheral, we saw Sophie come sailing down.

The art of jumping out of a tree is best learned when you’re a child and your body is made out of rubber. You might start by cautiously sliding your ass along the trunk until you’re on the ground with a scratched up back, or maybe you just take a haphazard leap and limp off the impact. Eventually, having done it enough times, you develop a second nature for it.

Having never climbed a tree in her youth, Sophie wasn’t practiced in this particular skill. Landing firmly on her ankles, she crumbled to the ground. Amy and I raced to her side and helped her up. Attempting to put weight on her right foot, Sophie yelped in pain.

“I think I broke my foot,” she fretted.

Imbued with the confidence of manhood and alcohol, I replied, “I doubt it. You probably just bruised your ankle.”

Though she was in evident pain – just how much, I didn’t realize at the time – we continued walking to Sophie’s apartment, she directing from the rear. Once there, we poured more drinks while Sophie elevated her leg. Removing her boot proved a struggle as her foot had ballooned inside. Now a discolored rainbow, I nonetheless surmised with my expert medical opinion that it was a minor injury. With enough ice, she’d be fine in a day or two.

A little later, I passed out on the couch while the two women talked. In the morning, Amy urged Sophie to see a doctor, but she was reluctant and I was still confident that it was unnecessary. However, since Sophie was struggling to walk and Amy had to go to work, I volunteered to hang out for the day. It was Friday morning, I didn’t work again until Saturday afternoon.

We whiled away the hours conversing and watching television on her couch. We ordered Chinese food for lunch. When the dog needed to go out, I walked him. There was such an easy, natural tempo to our conversation that we never hit a lull, whether we talked family, politics, or art. We delved into our pasts, those dark passages that few others ever saw. The sun rose and fell across her apartment’s bay windows.

It was almost dusk and the progression of the day had brought us together, our legs touching as I argued with myself whether or not I should kiss her. It seemed a foregone conclusion, but I’d been wrong before.

Glancing at me sideways, Sophie inquired, “So… is it wrong to fuck a cripple?”

I laughed.

Friday became Saturday. I made a few half-hearted efforts to exit throughout the morning, eventually leaving some time after noon to return to my Bed-Stuy apartment and get ready for work.

In my absence, a worried Amy returned and brought Sophie to urgent care. That night at work, I received a text:

My foot is broken.

I’d been in Brooklyn for eight months.

Jay Street Train

Flashback

New York City couldn’t possibly live up to my fantasies, to the extended nine year tease I had put myself through; and yet, in many ways, it somehow did. Every free afternoon, I walked the borough, barely scratching Brooklyn’s 97 square miles. There was art and music and the quintessential melting pot of diverse residents. My first full weekend in the city, I saw Spoon play a rollicking concert in Central Park while the sun set over the treetops. Purely cinematic.

Shortly after my arrival, I attended a rooftop party at my apartment and met a young French photographer studying in the city for the semester. We had a brief, caustic affair and then she returned to Paris. Meanwhile, I served tables in Park Slope, one of the many neighborhoods in Brooklyn where the locals will proudly tell you how it had once been a much different, rougher neighborhood. Now, their dog walkers make six figures a year.

Naturally, New York tried to kick my ass. That’s what it does. It’s impatient and unkind, expensive and exclusive, unimpressed by anything you’ve ever done. The city doesn’t need you or want you, thank you very much; although, it’ll gladly have another meal.

And this is the easy version of New York City. Most everyone will report with nostalgia how much harder – and better – this city used to be. Nothing will ever be greater than the past.

Montage

Sophie’s broken foot complicated matters. She could no longer continue her theater internship, her main reason for being in the city. A job was out of the question and she was essentially immobile, Brooklyn being hostile to the hobbled. When not working, I was invariably with her.

After a few weeks, we attempted a visit to my apartment, a fourth floor walk-up. Our collective restiveness induced Sophie to push herself – and her foot – sooner than she should have. Every time Sophie thought her cast could come off, a new complication extended her recovery. As the weeks turned into months, my guilt grew exponentially, her every grimace a reminder that I had played an active role in her agony.

Sophie was immensely frustrated by her lack of mobility and her inability to take advantage of New York City’s lucrative theater network. She sought other avenues for pursuing her artistic ambitions. Having no great affinity for the city, no reason to chain herself to New York, she figured “why not?” and applied to numerous graduate schools, most of them in England where she had spent much of her childhood.

Though we were simpatico on most every level, our nights occasionally flipped from romantic to adversarial seemingly on a dime. We shared ideals, but some conversational tangents could splinter us, as tends to happen with any two headstrong people. Scotch might have been a factor.

Everything between us felt emotionally charged, whether discussing our pasts or our ill-defined futures, during physical intimacy or a heated argument. She challenged me, as a writer, as a thinker, as a man. She could infuriate me – and I her – but conversations with her never ended without me questioning my assumptions, and that’s a rare talent.

She was just as talented as a writer. Every grad school she applied to, most of them prestigious, accepted her. She had her pick of the litter. She was to be in England by September.

At the end of July, not even three months after we met, and less than a week after having her cast removed, Sophie flew to Washington to spend time with family before her next journey.

I don’t suppose either one of us thought we were built for the long-term. We’d both been nomads. So much of the fire between us was in the immediacy, the sense that neither one of us had ever known permanence – maybe we never would – but at least for a few hours together the outside world’s beckoning wasn’t so loud.

I would have taken more time with her, but she couldn’t stay. New York City wasn’t where she belonged; it wasn’t where she was going to make her mark. And she’ll make her mark. She’s a resolute woman, audacious in her convictions. She was always going to jump; I can’t wait to see her land.

Like few others, Sophie’s voice continues to ring in my ears. It’s the voice of my conflicting internal monologue, challenging my opinions and making me step back from my preconceptions. It’s telling me to listen more, speak less. I’m still debating with Sophie in my head, and she’s still winning.

The Final Reel

Emily in SilhouetteFor the final week of 10 Cities/10 Years, as my first year in New York City came to an end, I hit the road with Emily. She was moving back west, from Boston to Los Angeles, after graduating from nursing school. Our route this time took us through Kansas where we spent a night with my family before continuing to see her brother in Flagstaff and on to Long Beach.

I stayed with Emily’s family for a couple days and revisited Costa Mesa where I met up with Selene who’d recently moved back home. After all the cities, all my experiences over the past decade, it felt like the pieces were being reset with the project’s conclusion. Maybe there would be nothing to show for the effort. No matter, that’s life.

On the last Saturday of August, I returned to New York to be alone.

There’s one detail I left out of Dylan’s story. Another kid didn’t ride the zip line that day: Me. I was just as scared as he was; more so, because not even God could get me up that tree. No one ever called me a particularly adventurous child, which is why I’m sure it surprised more than a few people when I embarked on this journey.

Ten years of constant uncertain, of impending financial ruin and personal angst – of being out on a limb – and I am no less afraid than when I set out. Anxiety still roils my gut when I enter an unfamiliar social situation, whether it be a new job or a packed bar. The self-doubts, the fear, it never abates.

I live with that fear every day, and I always will. It’s my main reason for climbing trees: so I’ll have to jump.

Read from the beginning

The 3rd Road Trip: New York City to Los Angeles

The end approaches.

I can’t think of any better way to bring 10 Cities/10 Years to a finish than with a cross-country road trip. To that end, I will spend the last week of August driving from New York City to Los Angeles, pretty much as extensive and representative a drive as one could attempt through this nation.

It will be my 3rd such cross-country road trip in 2 years, which includes my move from New Orleans to Boston for year 9, and a trek from Phoenix to Boston with my roommate to kick off 2014. The 3rd and final Keroucian™ endeavor will find my ex-roommate and I, once again, traversing the expanse of America via stick shift. Whereas last time we crossed through the South, this time we’re cutting straight through the Midwest.

Just knowing the trip is less than 2 weeks away is making me restless.

If I have 1 regret for this trip, it’s that I won’t have an opportunity to hit any new states this time around, but since we have a limited time frame and I’ve visited 40 of the 50, it’s not much of a concern.

Because, ultimately, all I care about is the drive. I had the epiphany the last time I was staring down the long stretch of the road that there is no life I crave more than the one experienced at 80 mph (except, perhaps, for the one experienced at 90, 100, 120…). I haven’t owned a car in more than a decade for the simple reason that city living at its truest has no need for it. The best cities provide you access to all its wonders without needing a driver’s license.

However, as much as I love city living – and there’s no equivocating, I do love it – it is still a pleasure to escape it on occasion. The automobile is, for my money, one of the greatest human inventions. I don’t believe there is anywhere on this planet* that I would be content to stay forever. The road is… well, you know the rest.

Our cross-country trek begins on the 23rd, stopping in various locations (including Lawrence) and we’ll be seeing some friends and family along the way. We have a basic route mapped out, but as any traveler will tell you, the best trips are those with the least plans. We’ll make it up as we go. Life, man.

(And then I’ll return to Brooklyn to celebrate the completion of an utterly silly decade.)

I. Can. Not. Wait.

Wish us luck!

*If the opportunity to be one of the first travelers to Mars presented itself, you can bet your ass I would leave everything and everyone behind to make the journey.