Another one bites the dust.
Is it just me or was this a reeeally long year? It feels like spring was a decade ago. Perhaps it’s because the summer was the hottest on record, the unrelenting heat making every day just drag on. Even more than 2020’s pandemic-elongated year, 2022 has felt markedly divided into periods. Three distinct ones.
First, of course, there was the winter/spring period. I’m sure some interesting stuff happened in the first months of 2022, but since that was 17 years ago, it’s hard to remember. I think there was a party or two. Whatever happened, it all culminated in a two week vacation to Greece (Athens and Hydra) and Sicily, Italy, my first trip to either country.
Upon returning from that trip, the summer immediately kick into high gear. From June to September, Madrid was smothered in a bracing heat, only occasionally breaking enough to breathe. Helen and I stayed in the city most of that time, only getting away to the slightly cooler Cercedilla for a weekend with her parents. Otherwise, our only escape was frequent trips to Madrid’s various pools, which, thankfully, are cheap but very nice.
Helen and I also saw The Smile in concert during one night of Madrid’s Noches del Botanico. If you’re unfamiliar, The Smile is the side project of Thom Yorke and Jonny Greenwood (both of Radiohead) with jazz drummer Tom Skinner. Their album, A Light for Attracting Attention, splits the difference between Radiohead’s In Rainbow era and Thom’s solo material on Anima. With a slightly more improvisational spirit. A highly enjoyable concert experience (even if some random girl dumped her red drink on my white shirt two minutes before the concert began).
Then came October; the heat broke and we had a couple months of pleasant weather. That meteorological shift was marked by a trip to the south of Spain where I visited Cadiz for the first time and spent a week on the beach at El Palmar de Vejer. If you haven’t been, add it to the list.
This was perhaps the most prolonged autumn I recall having experienced since moving to Madrid, with a sustained string of warm days and cool nights, the leaves gradually changing colors. Of course, that all led into December, which has easily been the wettest I’ve experienced here. It might not be record-breaking (yet), but it’s notable that the sun has been in hiding the majority of the month (though it’s peeking through today), and more rain is expected up through Christmas.
But, we won’t be here for that. Helen and I are hopping on a plane soon and will be back in the UK for Christmas, followed by New Year’s Eve in Ireland—which will make it three new countries for me in 2022. Huzzah.
Highlights of 2022
At times, with the various posts about my trips, this managed to be the “10 Cities/10 Years Travel Blog.” But, of course, most of the year didn’t involve travel. There were long stretches of time that I was just here in Madrid, working, listening to music, writing, listening to music, seeing friends, and listening to music. There was a lot of music this year. (Last.fm can confirm.)
I don’t have a Top 10 Albums of the Year, per se (I love end-of-year lists, but some albums need more time to be appreciated), but these are the 2022 releasees that have gotten the most play in my ears this year, in no particular order (and with the possibility some will fall off in the future):
- The Smile – A Light For Attracting Attention (Favorite track: The Smoke)
- SZA – SOS (Favorite track: Nobody Gets Me)
- Spoon – Lucifer on the Sofa (Favorite track: The Devil & Mister Jones)
- Hurray for the Riff Raff – Life on Earth (Favorite track: SAGA)
- Death Cab for Cutie – Asphalt Meadows (Favorite track: Foxglove Through the Clearcut)
- Florence + the Machine – Dance Fever (Favorite track: My Love)
- Kendrick Lamar – Mr. Morale & the Big Steppers (Favorite track: Mirror)
- Carly Rae Jepsen – The Loneliest Time (Favorite track: Western Wind)
- Orville Peck – Bronco (Favorite track: Daytona Sand)
- Beyoncé – RENAISSANCE (Favorite track: VIRGO’S GROOVE)
- The Mountain Goats – Bleed Out (Favorite track: Mark on You)
I wish I could do the same for 2022 movies and books, but I rarely catch up with those until the next year (at the earliest). I did see a couple new releases; while I didn’t love it as much as I had hoped, Everything Everywhere All at Once was probably the most fun at had in theaters this year. Off the top of my head, the best movie I watched this year was Florian Zeller’s The Father (from 2020). There’s a slew of new releases coming out in the States right now that I hope reach Spain in the next few months.
As far as favorite books, again, I rarely read anything that came out in a given year. The only one I managed was Devil House by John Darnielle (lead singer of The Mountain Goats); definitely a fun read, especially if you’re interested in the Satanic Panic era of modern American history. Darnielle’s gift, both as a songwriter and a novelist, is his unflinching empathy for people of all types, particularly the “losers.”
Other books I read and loved this year (but written before 2022) were Paul Beatty’s The Sellout, Kurt Vonnegut’s Slapstick, Douglas Stuart’s Shuggie Bain, Andrea Levy’s Small Island, and Richard Wright’s Pagan Spain (easily the best book I’ve ever read about Spain). I also want to give a special shout out to Sapphire’s Push, which I had always dismissed out of hand (undoubtedly for ingrained racist bias), but which I found to be a reliably effective dramatic work.
To the Future
As far as personal creative output, it’s felt a bit underwhelming, despite finally finishing a novel that began as a short story idea over a decade ago, getting published in Newsweek, doing my first public talk about the 10 Cities Project, and bringing this very blog out of hibernation. I’m hoping 2023 will allow me to build on that momentum into something more productive and sustained. We’ll see.
But, whatever the year brings, I’ll try to be right back here recapping the year that was next December.
I hope your year was more ups than downs and more Scotch than soda.
See you in 2023.